I grew up in a cold place, some of / felt like most of the year. I now live in a hot place. And for the most part, I don’t miss it. In fact, I do my best to avoid cold.
So why was I looking at this?
It’s Norway. And everything about it suggests cold—the brooding sky, the greys and ochres, the diffuse light, the shadows. Step into the water by mistake and your feet will be cold for days, seemingly.
Until you move to a radically different climate, you don’t realize the basic assumptions that you’ve made about your world. A couple of decades ago, I came on Raf standing at the sink, lost in thought, staring at—but not seeing—the water flow over his hands.
“What are you doing?”
“Water,” he said. “This is how the water feels at home.”
I stuck my hand in it—it was tepid.
“Ridiculous,” I said. “Water is cold.”
Then I wondered—can I have a relationship with someone whose experience of the world is so fundamentally different that my own?
Yes.
Although there are challenges.
It works the other way, too. Years ago, at the Conservatorio de Música I attended a master class—a young Puerto Rican singer was tackling Schubert’s Im Frühling (In Springtime). The voice was excellent, technique right in place, phrasing great.
So what was it that was just so slightly wrong?
The “master” got it right.
“Wonderful,” he said. “And tell me, what’s this song about.”
Well, of course she knew.
But also she didn’t.
“Have you ever experienced a northern winter?”
No.
So he described it, quite poetically. Your world becomes grey and black. You stand at the window and see the fine thin snow blowing like a ghost across the landscape.
Then he described spring. Equally poetically. The first time you see green after months of grey—you eyes are shocked, you stand and gape, wondering how you lived without that color. Taking your shirt off and feeling sunshine, on that first really warm day—how light you feel without that 10 pounds of parkas / sweaters / thick shirts.
“I think I understand,” said the soprano. “It’s sort of like going to the beach would be for us….”
The master smiled gently. There are things you have to experience.
And perhaps at a very young age. I live in a hot place, but my body doesn’t. Which is to say that every time I leave the house, I will be sweating before I’m out the door. I walk as one walks in a cold place, which is to say “get-the-hell-home-and-turn-on-the-furnace.”
Nor does my mind. I live in a large apartment. What did I think when I saw it first?
‘How in hell are we gonna heat this?’
In the mountains, I often wonder ‘how do they get up this road in winter?’
Cold tempers you, as the flame tempers steel. You have to prepare. You have to pit yourself against nature, which may overcome you.
I used to tell my students—those who didn’t know winter—that drunk guys coming home at night often dropped their keys. If they were really drunk, they made the mistake of searching too long for them…
…and died of exposure.
In the last three years of my mother’s life she broke two hips and had one open-heart surgery—all in the deepest depths of winter. Cursing, I would be sweating a storm in San Juan, barely able to believe that somewhere, ANYWHERE, it could be cold.
Then I stepped out of the El station in Chicago, and was hit with a blast of air mixed with sleet sandpapering my face.
I hated it.
But I’m also glad I grew up with it….
(Im Frühling starts at 6" 10')
