Voices Past and Present

Hunh?

He showed up last night, wanting to do some writing, and did take the computer out of the case. And it may be true that I derailed him, since I mentioned that it might be a plan to both force himself to write in specific meters and forms, and—at different times—abandon them.

Montalvo looked at me blankly.

So I tried to explain, citing Shakespeare and iambic pentameter.

“I’ve never read Shakespeare,” he said.

“You did go to high school?”

It turns out he did, and slid by, somehow, on the grease of a good intellect. Nice, but where could he be if the good intellect had been shored up by a good education?

Is it time for a jeremiad?

My grandmother knew more poetry than anyone I knew, and could still recite reams of the stuff when she was quite old; in the clip below, which she recorded in her eighties, she’s reciting from memory.

“Every Friday afternoon we had elocution,” said Gram. “And all the little children would stand up straight in front of the class, and start off on all the old chestnuts. It was ‘The boy stood on the burning deck, whence all but he had fled.’ Or it could have been ‘Captain, my captain!’ Then of course the was the spreading chestnut tree….”

Nor was it a bad idea—is anybody memorizing anything anymore?   

The answer, I discovered years ago, is yes, since I once saw two pre-teenage girls spend forty minutes reciting rap music in a bus. And the amazing thing is that they had done it quite spontaneously: young minds do.

I’m sharing a table with Yeats and Montalvo, because I remembered having heard him recite his own poetry. Wait—it wasn’t so much “recite” but what Seamus Heaney called “an elevated chant.”  Here’s what a wonderfully crusty Yeats has to say about his reading:

“I’m going to read my poems with great emphasis upon their rhythm,” says Yeats in the first segment, recorded in 1932, “and that may seem strange if you are not used to it. I remember the great English poet William Morris coming in a rage out of some lecture hall, where somebody had recited a passage out of his Sigurd the Volsung. ‘It gave me a devil of a lot of trouble,’ said Morris, ‘to get that thing into verse!’ It gave me a devil of a lot of trouble to get into verse the poems that I am going to read, and that is why I will not read them as if they were prose.” 

OK—that was a thing to hear, and then I remembered the story about hearing Brahms play his Hungarian Rhapsody number one. Well, dear Reader, I’m saving you the two minutes you undoubtedly would have given it: the sound quality is awful, to the extent that the piece is virtually unrecognizable. It’s the sound of a piano being played during a hurricane.

I take a break to “edit” the poem that Montalvo has just transcribed, and we have a little talk about line breaks.

“It might be a little stronger if you shifted the word ‘into’ to the next line, and ended with the verb ‘fall,’” I tell him.

“Oh, and what about using a stronger verb than ‘fall?’ Maybe ‘plunge?’”

Right—then it was time to drop back in on voices from the past—in this case Florence Nightingale, who can be heard, and who delivers a short message of support for her “dear comrades” at Balaclava.

“You know, that first stanza? It’s a statement, and that makes me crazy. So could you give me an image, a metaphor, something that summons up a picture?”

He goes back and revises.

“Poetry is imaginary gardens with real toads in them,” I tell him, and then think, ‘damn, who was that?’

Answer—Marianne Moore.

“That’s the difference between poetry and prose,” I tell him.

“Prose?”

Teaching teaches you some things. I hold up my right hand and say “poetry;” then the left hand and “prose.” He gets it.

Voices from the past. I ponder this young man, my new son, in front of me, and wonder what my grandmother would make of him. She would understand, I think, a young man carrying notebooks in which he has written his poems. She would get the impetuous, rebellious spirit. And she might like an older man reading and critiquing a younger writer.

‘There are some things that don’t change,’ I think. ‘The young are busy reinventing the world, and God bless them for it, because if there’s any hope for us, somebody has got to do some major reconstructive surgery. But the old see continuity, the rolling river of tradition. Also valuable….’

“Well, it’s a post that doesn’t have an ending,” I tell him, since I’m floundering here.

“Some don’t,” he tells me.

Who’s teaching whom?

Two Wings and a Lady

Cuba y Puerto Rico son

De un pájaro las dos alas

It’s a famous quote from a poem by Lola Rodríguez de Tió, and can be translated roughly as “Cuba and Puerto Rico are two wings of the same bird.”

Well if true, it may be that the wings of the bird are flying in completely different directions.

From the video below, it seems that the Cuban wing is set to soar. Raúl Castro has had to face the inevitable: the economy, supported all those years by the Iron Curtain buying Cuba’s sugar at inflated prices, was broke. The fields—five million acres of them—were overrun with a weed called marabú (marabou.) Nor is it just a weed—it’s highly invasive and thorny. If you attack it with a machete—pretty much the only thing at hand in lightly mechanized Cuba—you’ll end up bloody at the end of the day.

The buildings are falling down in Havana, and the state workers, who are supposed to repair the houses, are backlogged and slow to respond. How slow? One woman interviewed has waited 16 years with her ceiling propped up with four-by-fours. She worries that the roof will collapse every time it rains.

Seventy percent of the food has to be imported; supplies in the state-run shops are scant. Doctors make twenty-five dollars a month; one doctor interviewed makes a better living selling copper tubing on the side.

And so, you say, how can the wing be flapping skyward?

Well, Cuba’s economy grew 3% last year, and is expected to grow about the same this year as well. Sure, it’s not quite the 3.6% that Castro wanted, but it’s not far off.

And by allowing 181 jobs to be done by licensed private individuals, the government has at last introduced some incentive to work. In the past, there was a saying, “the government pretends to pay us; we pretend to work.” Now, there’s the beginning of an independent, free market economy.

And let’s face it, where was Miami before the Cubans arrived?

My friend Harry has a story. In those days when Harry was selling shoes, he entered a small shop, got tossed out, and went to a café. Still burning with the humiliation, he overheard a conversation among the boys—a group of middle-aged guys who were complaining: the damned Cubans had come and taken all the jobs away in Puerto Rico. Harry turned to address them.

“If the Cubans are working and you are not, it’s because they are NOT sitting in cafés drinking beer at 10 o’clock in the morning. They came with nothing and got a bike and sold what they could sell and now they have multinational corporations and live in gated communities. Oh, and I’m not Cuban but Puerto Rican….”

Which will explain why the Puerto Rican wing seems to be plummeting.

La producción propia es la tarea urgente contra la dependencia de fondos federales en Puerto Rico

That’s one of the headlines in today’s El Nuevo Día. Economists are urging us—as they have for all the twenty odd years I’ve lived here, to create jobs to avoid dependency on federal funds.

And on the double, since 24,200 fewer people are working here on the island than last year. Granted, that may not be a problem, since we are also shrinking in population, but government (the largest employer on the island) is reporting 20,600 fewer jobs this year than last.

Here’s Caribbean Business Report on the subject:

Puerto Rico’s population was pegged at 3,725,789 in the 2010 Census, down from the 3,808,610 registered in the 2000 Census. It marked the first time the island population had declined between census counts. The 2010 Census also showed there were 4.7 million Puerto Ricans living in the states, marking the first time more Puerto Ricans lived stateside than on the island. Only one state, Michigan, registered a drop in population in the 2010 Census, dipping 0.6 percent.

It’s happened before—in the Great Depression, droves of Puerto Ricans left, primarily workers who would man the factories of the (then) industrialized North East. Who’s leaving now?

Young professionals.

Which is why the article in Caribbean Business Report ends thus:

The population drop of nearly 83,000 over the last 10 years and the continuing exodus raises the prospect of less federal funding for Puerto Rico, increased pressure on the financially ailing public-pension system and a dramatically aging population with fewer financial resources.

Yes and no.

I’m sitting in a terrific local business, Poet’s Passage, run by a great lady, and named in fact, Lady. She explained this curious fact by noting that her father’s family came from Australia via Scotland, where they were all lords and ladies. (Tactfully, I never inquired as to the exact circumstances of the move to Australia).

And Lady has been here since 11AM—busy getting her sister store adjoining the café ready for an activity tonight. Which means that she will be here until the wee hours of the morning.

“There’s money in poetry,” she told me once, “and I sat down with the board of directors of WesternBank and convinced them—I’d made a great business plan. And in six years of business, I’ve never missed a payment.”

She’s less person than dynamo, raising the emotional temperature by several degrees every time she comes into the café. She kisses everyone; she calls out, “Hi, Marc!” from fifty feet away. She’s home-schooling her child or she’s painting one of her poems onto a piece of canvas or she’s busy telling a customer about poetry night, every Tuesday night at 7 PM. She admits it privately—some of the poetry heard there may not last in the canon of Puerto Rican / Latin American literature, but that’s not the point. She’s seen poets grow, as she has; she’s seen self-esteem bloom. It’s a space, a necessary space.

An embracing space. How embracing? The gentleman at the table two doors down is busy working at his computer. He also serves me coffee—and very good it is—when he’s working. How many other workers choose to hang out at their workplace when not on the job? (I except bars….)

Lady dropped out of high school to help in the family business. But it hasn’t stopped her. “Who’s your favorite female poet of the 20^th century,” she once asked me, and we went on to talk about Audre Lorde, Sylvia Plath, Marianne Moore—an army of great poets. I was sweating to hold up my end of the conversation. 

The only resource Puerto Rico has is an amazing human potential. And looking at Lady charge into her café, greet the customers, kiss the staff, give the order to clean the bathrooms, and then take a dirty plate off the table while kissing the customer—I’m convinced.

The two wings can soar upward again.