Rain,
today, and at last. It’s been the second driest June in history—day after day
of unrelenting heat, and milky blue clouds (the result of Saharan dust in the
upper atmosphere.)
It’s a
relief. After cold and rain in both Wisconsin and London, I was ready for hot
and dry. Well, it’s the old story: the gods punish us by giving us what we
want….
The inner
climate has turned as well. I revisited the piece of music—and the writing that
went with it—that haunted me in the first week of March.
It was—like
Winterreise and the
late quartets of Beethoven—music that I’d been waiting to get into. And like
the other works, it’s not conventionally pretty music.
Nor was my
experience with it pretty. I willed myself to go back to that moment of
madness—my first panic attack in December of 2011.
Why? Is it
rational to revisit the irrational? Wouldn’t a sane person do anything to avoid
a return to the world of utter insanity?
Can’t say. I
could tell you that I had to go back to see it from the other side—the other
side being sanity. Or I could say I had to master my fear that the madness would
return by tempting the gods, daring them to fling me into the whirlpool again. I
could say I had no choice.
Possibly
true, all of the above. None of them feels right.
I only
knew, that first week of March (also the first week of Lent) that I was
operating on blind faith—and the love and faith of a sister in Tobago. And Raf,
who worried silently all throughout the period.
OK—site and
setting. El Morro, the oldest of the four remaining fortifications the
Spaniards built. It’s built—as is its sister in Havana—at the mouth of the
harbor. It’s huge. It is not—by design—inviting. It was early morning—seven,
perhaps—and raining / overcast.
And yes, for
the fifty minutes that Brahms takes to finish his struggle I took to finish
mine. I went back—I was on the same road (though technically not) as I had
been. True, there were no cars speeding past me.
There were
lashes.
I was being
scourged, whipped…and purified.
I came home
and wrote the experience as I’ve not written anything in my life. Actually, I
didn’t write. I took dictation.
A week of
exhausting struggle followed. I relearned everything. How to do the dishes. How to do a copy and paste. How to book
a reservation on Expedia.
I practiced
a mindfulness in that week that was excruciating.
“And how
are you doing,” said my doctor, a week or two later.
“How many
movements of the fingers does it take for you to log in and see your email?” I
asked.
She was
baffled.
“It takes
me three. I type a ‘g’ in the address bar and the computer suggests ‘gmail.’ I
click on that, and it takes me to the gmail page. As it’s loading, I move the
cursor to the area where ‘sign in’ will appear. I type ‘m’ into the username
and the computer remembers marcnewhouse333. The cursor is in place—I click on
that. The computer remembers my password. I press ‘enter.’ That’s how I get my
email….”
It was like
being a stroke victim—relearning the things we do automatically every day. And
it took an immense will.
I failed,
mostly. That’s fine—that’s what Buddhists do.
I learned
some things.
There is no
time. Someone always pulls me back—away from the speeding cars or the abyss of
pure insanity. That I’m here to serve. That my talents have value.
I’ve lost
most of that, now. (If you could see my apartment, you’d know….) But enough
remains.
Everybody
else has uncomplicated relationships with everything—or at least so I imagine.
How would I know?
They live
in normal houses and have normal wives and sure, the kids are probably smoking
dope, but kids do, don’t they? I did. Still would if I could.
Auden wrote
about it: “When there was peace, he was for peace. When there was war, he
went.” That’s a rough quote—the damn Internet is still down. Can’t google it.
They drive
their lives by me, standing at the bus stop, waiting for the achingly late
yellow bus from Caguas. That’s fine. I’ve nothing else to do, and it gives me
time to think. Anyway, I don’t have enough money for a car (not true, I have
the money—I’d rather go to London….)
So I don’t
have a normal relationship with anything. But today’s the Fourth of
July—Independence Day! Should be able to get this right, right?
Well, I
could do a rough approximation. There’s a Walgreens up the street—they’d
probably have the sparklers. Supermax certainly sells wieners. But Mr.
Fernandez—would he eat them?
Yeah, with
hollandaise sauce.
Well, I’d
scarf them down, of course. But that’s only because of the drug I’m
taking—Remeron. Two hours after I take it, I descend to the level of a seven
year old demanding his Lucky Charms. There’s nothing I don’t eat—or crave.
But it does
seem that the day warrants a serious piece. Think of it—a gringo living in OurIslands and Their People. Yup, I’m serious. That’s the name of the
book—actually, it’s two books—that came out in the first decade of the 20th
century. (Hey, the 20th century—remember that! Sorry, digressive here….). Cuba, the
Philippines, Puerto Rico, the Virgin Islands—all those lovely little gems that
were gonna get stuck on the crown of American imperialism. It was meant to be
instructive about their islands and our people, although that doesn’t seem
quite right.
I’ve lived
almost more time in Puerto Rico than in gringolandia. Shouldn’t it be Their
Islands and Us?
Well,
well—it makes for jarring reading. Puerto Ricans are a friendly people, we are
told.
True.
We / they
are also…um….
Lazy.
Well, it
doesn’t quite get put like that. I mean, post-Victorian manners dictate a
gentler approach. But read between the lines. It’s right there.
I thought
about this this morning, as I was annoyed by the construction / reconstruction
/ demolition / remodeling of the building across the street—nobody quite knows
what’s going on there….
Point is—something
was going on. And it wasn’t Puerto Ricans, but Dominicans. Working on…
…yup, the
Fourth of July.
Not
surprising—a decade ago, we had Dominicans working in the apartment above us on
Christmas Day.
And the
Dominicans lack the post-Victorian genteel manners of Our Islands / our
islands. They have a word for us boricuas.
Los mantenidos.
Literally,
the kept. As in a kept woman.
Well, why
not?
It was a
frequent theme in classes—those days gone by when I had a job. What in god’s
name were we doing to ourselves? Getting up at five in the morning and taking
the sleeping baby to mamita’sand coping with the corporate craziness and going home and
studying with the oldest kid while cooking dinner—ok, cancel, we stopped at KFC
or ate at mamita’s house—and putting our tired carcasses in bed at midnight and
God it’s only Tuesday and…
…which had
cars newer than mine in the parking and satellite dishes and they only pay 5
dollars for electricity and do you know what my last light bill was?
Right. Once
you got on this bus, you stayed until the school bell rang.
Many times,
past….
Sin
vergüenza, raved the
students—no shame.
Well, we
were paying a high price for our vergüenza—that was for sure. Because however
much the Puerto Ricans—those people in our islands—didn’t work in the first
decade of the 20th century, we were busting ass in in the first
decade of the 21st.
Well, a
third of us.
Other third
works—here a good Puerto Rican throws up his hands and paints invisible
quotation marks—for the government.
Hah!
And the
other third lives in those caseríos….
Being kept.
And quite
well.
It was a
paradox as curious as a gringo living in their island.
It’s not
music you choose to listen to. It’s also music you can’t stop listening to.
At least I
couldn’t. I woke groggy and hung-over, after being awakened by a craving for
potato chips at 11 PM. It’s the effect of a drug—Remeron—that's meant to
jolt even catatonically-depressed people into paroxysms of hilarity and gaiety.
Works, too.
But it does have this little side-effect—fierce cravings for certain foods.
Most of the
time, it’s coffee ice cream. Last night it was potato chips. Followed—not
wisely—by rum.
OK—the
world of the hangover. Know that territory. It stays for a couple of hours,
makes you miserable, goes away. Fluids and sweat help. Also getting out of the
house. So I took my walk, and listened to the final quartet of Beethoven.
Let’s get
this out of the way. It’s not music. It is Beethoven applying every last bit of
reason against every last ounce of anguish. The effect—especially when
listening with headphones—is of being locked in a cell with four howling and
violent jackals.
“Repellent”
is the word most people used about it in the 19th century. Beethoven
himself wrote—if the blogger can be trusted—“when the instruments have to
struggle with monstrous difficulties…when each has different figures to cut
across each other…amid a host of dissonances…when the Babylonian confusion is
complete, the result is a concert only the Moroccans can enjoy.”
(talkclassical.com) It was so disagreeable that Beethoven’s publisher begged
him not to use it—as he wanted—as the last movement of the Quartet number 13.
And Beethoven—not famous for tractability—actually acceded. And then
published the Gosse Fuge as a stand-alone piece.
Well, I’ve
heard it, of course. Turning on the radio, it will crop up from time to time.
String quartet concerts…obviously. And there are arrangements for string
orchestra and double piano as well.
It’s as
ruthlessly logical as a psychopath. It’s also as fiendishly desperate as a
junkie seeking his fix. It’s wildly unpleasant music.
Which is what
Beethoven wanted. Or so I think, at least. Because I have been locked into the
last quartets for the last month now, and, my take? Well, I just listened to it
again. It’s aural rape. Beethoven replaces the string instruments with razors.
And it’s structurally a hurricane—starting with gentle winds, then picking up
in ferocity, raging, howling, battering. The eye descends, and a stupidly
classical theme is produced. Then the virazón— the eye wall cracks and you’re into the
fiercest part of the storm.
And
Beethoven doesn’t spare anyone. He takes this snuff film of music through every
last gash, every scream, every jolt of terror. The look of terror in the
victim’s eyes? He shrieks with laughter.
And he
wills it on himself. He puts himself on the rack and begs himself—torturer and
victim both—to flail harder, remorselessly, unrelentingly. He glories in the
blood spewing from his wounds; he kisses the whip that lashes his exposed
viscera—all skin and muscle shredded now.
“This work
is drenched with sex,” said a conductor years ago, referring to Debussy. The
Grosse Fuge? Make no mistake—nothing de Sade wrote is as violent as this music.
That said…
…why is it
healthy?
There’s
nowhere he won’t go. He never backs down. He willingly dons the executioner’s
hood and wills him to work. He faces every fear.
“Do you
like the Grosse Fuge?” asks the blog talkclassical.com.
The
question is stupid. Do you like brutality, ferocity, pummeling rage?
No.
But it’s
there. And when, like the hurricane, it descends on you, you can only batten
down, listen in terror as the winds shriek, the door rattles, the flower pots
sail through the air and hurtle against your windows. It’s not music to be
liked. It’s music to be experienced.
Some guy—Robert Whitaker, I think, and how did we live
without Google?—wrote a book about the drug industry and the explosion of
mental diseases. His thesis went something like this—for most diseases, the
incidence rate drops as new drugs are developed, patients are treated, and
presumably cured. But ever since Prozac, we’ve had a spate of new
antidepressants, and the rate of depression has…
…skyrocketed.
So what’s going on?
I know all about this because Eric is writing a blog
for Psychology Today. He sent me a link for the book, as well as a quote from a
psychiatrist at the University of Michigan, who says that exercise is at least
as good as antidepressants in the treatment of major depression.
Oh yeah?
I did my three-mile walk today at 8 AM—I’m rigorous
about doing it. I listened to the first two string quartets of Brahms—my walk
time is also music time. I came home, tried to get down to work, and couldn’t.
Little things began to annoy me. The damn Internet
connection is down again. I tried to write a post. My mood is apparent in the
first line—“It’s 2500 bucks of sheer fucking frustration.” (I was writing about
my Zen MacBook Pro….) I wasted time rereading some old posts. I began to wonder
whether it was worth it all.
Cousin Brian popped into my mind. His words: I said to myself over and over as I read, "he's so
brave." You hold nothing back: Franny's character, her love, her pepper,
John's stoicism, the terrible tensions between you and Eric, your own utter
devotion to Fran, your struggles with depression before, during, and
after...it's remarkable.
Yeah? Well, this morning I wasn’t feeling so brave. I
was feeling pissed. And sorry for myself. Why has my life been such a fucking
struggle? Why have I had to fight all my goddam life? The titanic struggle with
the cello, the battle with depression, coming out, moving to a land where I’ll
always be a stranger / visitor. What the fuck have I NOT had to do?
Shit!
Right. So then I got mad at Eric. Fuck you, you mental
health experts, I raged! Have you ever been so far gone that you felt your
thoughts turn to voices? Have you ever been, as I once was, in a bus sitting in
front of a deranged street person. The guy was furiously snarling obscenities
at me—“you mother-fucking asshole. You fucking think you’re so great… Pussy! Cock-sucker!”
And I didn’t move away.
Why?
Because I wasn’t entirely sure that it was the guy
behind me.
It might have been me, pouring out that venom.
So it’s easy for you guys, the experts, to talk
clinically and analytically about antidepressants and the rates of major
depression. Sit in a dark room at 3 AM and struggle, as I once did, through a
ravishingly beautiful amen of Monteverdi.
And have that be the one thin thread that ties you
still to life.
At some point in the morning, it became clear.
ONE day without my Lexapro is enough to start me off on
the slide to despair, darkness, death.
Well, I am rigorous, too, about going to the shrink.
And I had gone last week, and gotten the prescription.
So I went to CVS.
I took the Lexapro one hour ago.
I can now write. I am no longer angry at Eric. I know
what I will do today. I have a to-do list, and will work my way through most of
it. What I don’t do today, I will do tomorrow.
Yes, tomorrow I will walk and listen to music and
contemplate the sea. That will make me feel better.
I will also reach for the one thing that apparently
means life or death.
Must be common for some guys, but it was new to me: paying two thousand bucks to get screwed….
Actually, let’s put the record straight—I’ve never paid anyone anything to get screwed.
OK—drop the cheap humor. The work of today is recovering from the surgery of yesterday. I now have two screws—titanium, they are, and the surgeon said, “bones just love the stuff…”—in my left mandible.
Compare and contrast—started every exam question I ever took as a child. “Compare and contrast ancient Greek attitudes towards democracy with our own.” Why? What was the point?
But it stuck. And there I was, absorbing the fact that my bones love titanium (yeah, but what about the airport metal detectors?) when the surgeon began a somewhat lengthy and more-technical-than-I-wanted description of the procedure.
I noted one of the many plaques on the wall—the surgeon, I am happy to say, is a fellow of the American Academy of Osseointegration. (Just addedthatto the computer’s vocabulary!)
And it was new for me, too. ‘What wouldthatbe like,’ I woundered. (Wanted to write ‘wondered’ but going back to retype, I turned up again with ‘woundered’. Seems appropriate, somehow….) It’s wounderful—sorry, did it again—to think of all these oddball academies. Remember the German ornithologists with their passionate debate about the ‘near passerine’ status of the Motmot? Interesting to know how that would compare—and contrast—with the American Academy of Osseointegration.
Also interesting to compare and contrast—look, can we just call it ‘cc’ from now on? I’m still groggy from the anesthesia—the historical role of the surgeon / barber with our current tooth guys. “Do you like your smile?” the questionnaire asked.
No—why should I?
Two hundred years ago, the question would have been ridiculous. And maybe still is.
It was also interesting to cc Franny’s story with my own. As usual, we’re going parallel, here. She lost her mind, I lost mine. She battled for death, I battled for life. Six months before her death, she had a root canal. And there I was, yesterday, holding the same drug—Vicodin—that I had held so many times in Wisconsin. The pain wasn’t bad, but hell, I’m a druggy. Why wait? I chugged it down, and felt like a zombie.
Right—no drugs for the non-suicidal brother, either….
Mostly, though, I am comparing and contrasting my own life, as it has changed in the last years. And speaking of zombies, is it too much a cliché to point out the effect of corporations and corporate life on the human psyche?
Right—I was never too into it. They used to give us stress balls—the little rubber spheres emblazoned with the corporate logo–Wal-Mart!—and its happy yellow face. This struck me as odd—the very thing causing you the stress is giving you a stress ball AND putting their name on it. The idea was to do to the company through the stress ball what you couldn’t in any other actual way.
Wanna smack that secretary? Have a stress ball, honey.
Well, everyone ignored them, of course. But Marc? No, he just couldn’t take it seriously. And when they presented everyone with a new and improvered (woundering aboutthatword?) version—a stress ball with a little elastic band—I was delighted.
So there I was, doing my TBWA (should have been “coaching by walking around"—CBWA—but mine was “teaching by walking around”), and fiddling with my stress ball. “What are you doing with that thing,” the electronics buyer would say. He’s gotta sell sixty million dollars of gadgets a year. And was he roaming the aisles with a stress ball?
Hell no. He was glued to his computer screen, trying to figure out what happened to the thirty iPads that disappeared from the Guayama store.
“I’m relieving my stress,” I’d say.
“Hunh?”
“I have a good deal of stress….”
This was not often taken seriously.
OK—it was NEVER taken seriously.
Marc—with stress? He sits in his office—far far away from anyone, especially his boss, and throws pencils at the students! What’s he got to be stressed about?
Good point, actually. There was only one of me—unlike the buyers, of whom there were many. My boss was a sweetheart. The students—most of them—loved me. What did I have to be stressed about?
I considered this this morning, as I walked past the bust stop where I used to sit…
At 5:30 in the morning.
Oh, and coming home at 6 PM, and racing for the toilet in the hotel next to the bus station. It could take 40 minutes for the yellow bus from Caguas to arrive. Then, it would take another hour to get home.
And of course I’d been drinking coffee all day….
Having talked all day, I would ache for silence. Raf could throw me into fits of irritation by asking perfectly bland questions.
“When do you want dinner?”
Answer in my mind—I WANT FUCKING DINNER WHEN IT GETS ON THE FUCKING TABLE, ASSHOLE!
Answer through my lips—“half an hour.”
Or, “Do you want Hollandaise sauce on the asparagus?”
NO YOU ARE NOT FUCKING MAKING HOLLANDAISE SAUCE BECAUSE YOUALWAYSSPILL THE FUCKING FLOUR ON THE STOVE AND I AM TOO TIRED TO CLEAN THAT UPANDWASH THE FUCKING SAUCE BOAT.
“Great!”
So justified or not, it seems I did have stress—unrelieved by balls. Somehow it crept into us, despite all the motivational talks we got in the monthly meetings. Because yes, the company paid SERIOUS money to motivate us.
“Mejor,mejor,mejor” sang the ancient lady who had battled cancer and won and gone on to a wonderful (no wounderful for her!) new career of telling everyone how she had done it and how we could too! And how did she do it? Here she prompted the associates (read workers) to sing the answer‘mejor, mejor, mejor!” We sang. Better, better, better!
You can imagine the fun I had with THAT!
There was the guy you whirled around for no reason, put his finger on a button, and started to sing! (Odd, are all motivational speaker closet singers?) Oh yeah, and he ended up giving me a dollar bill.
Why?
There were thirty of us in the room, and he had finished telling the story about someone who had given HIM a dollar bill and told him he could do whatever he wanted in his life and now he was here in this room living his dream and it was time to pay it forward and so even though there were times when he really could have used that dollar bill he NEVER NEVER spent that dollar because the message was so important and life changing that…
“So why did you give it to me?” Of course I had to ask….
“There’s just something about you. You have the makings of a leader….”
The guy with the stress ball?
Well, the dollar got put under the laughing Buddha that sat on my desk and that in fact now sits on my desk. The Buddha and the dollar bill got packed away, as I got packed away, and delivered. As I have been delivered. For every day and in every way, I am getting…
The nice thing about having a shrink is that not only
can you talk about yourself, you’re actually supposed to.
Which may be why I was freely kvetching, yesterday, as
I sat (not lay) on the couch.
“I want my life now to go back to normal,” I said, or
something of the sort.
Silence—all these guys know how to use silence. And a
very effective technique it is, too. You find yourself blurting ANYTHING just
to relieve the silence.
So I went on.
“First I went to Wisconsin for ten days in early May
and that was nice…though not without challenges. Then I went to London for ten
days and that was nice though cold. Then we came back and Taí was here and that
was wonderful but…”
More silence. A Harvard degree he has, but he can’t
talk?
“Things are subtly different when she’s here. Usually
for the better. The house gets cleaner. Glasses left in the sink turn up washed
in the drainer. I can crash early to bed and that’s perfectly fine—Raf will
have someone to talk to. It’s better, but it’s not normal.”
I was pondering all this after my walk this morning, as
I was reading the local rag—El Nuevo Día.
Lead story—our local legislature is considering a ban on the cuidadores
callejeros. Caretakers of the street,
loosely….
…not that that helps.
OK—let me explain. For years, guys have worked the
public streets, offering help in parallel parking and assurances that nothing
will happen to their car. A minor protection scheme, and a good idea, really.
You don’t want your car stolen, do you? Naturally, grateful citizens think to
give a little something—a pesito or
two—from time to time. And of course it’s logical that over the years these
guys have staked out their territory—and fight fiercely anyone moving in on
them. As well, with such a service, naturally a warm relationship develops between
the street guys and the drivers (and / or parkers).
Churlish people allege that this has converted public
parking into private parking for regulars. Oh, and also that anyone NOT
offering that little pesito is gonna find his car badly scratched on return.
Well, they were warned, right?
After all, their car wasn’t stolen….
This now makes perfect sense to me, though there was a
time it didn’t. I had questions—silly questions—like “why can the governor call
me up and invite me to the Three King’s Day party, but he can’t call to say the
tsunami is coming?”
I learned, and explained it later to a friend.
“Webster,” I said, “there are when where what and how
questions. But there are NO why
questions….”
See?
But this didn’t come easily, this let’s-call-it relaxed
way of thinking. Especially since by all appearances, the laws are greatly
respected in Puerto Rico. No Estacione, Ley 40. No Fumar, Ley 160. I
used to find it curious—were all the Puerto Ricans running around with law
books, checking out and citing all these laws? Why didn’t I see people with
them?
And why is the car right in front of the No Parking
sign, or the guy smoking in front of the No Smoking sign?
I checked my words, not wanting to be the ugly
American. But I did mention it to a friend, a Puerto Rican with the flag of the
island tattooed on his neck….
“Puerto Ricans are the most LAWLESS people on earth,”
he roared. “They will do anything—ANYTHING—for mamita. They will move heaven and earth for their friends.
But they are completely clueless when acting toward a stranger!”
Note the pronoun “they” from the Puerto Rican tattooed
gentleman….
“Now, AMERICANS—that’s different. Not one—ONE—American
would park their car in a handicapped parking spot. But Puerto Ricans! Hah,
they’ll run the lady down in her wheel chair, just to get her spot!”
He raged on. I feared his words might be incendiary.
“Absolutely,” a woman shouted from across the
street—why risk life and limb when you can just raise your voice? “Beasts,
absolute beasts—all of them!”
This no longer strikes me as strange.
Nor does it seem strange that the public streets have
become private parking. After all, as one of the caretakers said, the
government doesn’t give him food or a job. So he’s gotta do something, right?
Nor does it seem odd that one day the ACLU is terming
our local police force as abusive and running amok (well, so did the US
Department of Justice four years back) and the next day we’re worrying about
the caretakers of the streets.
Nor is it terribly curious that anyone would be
interested in what laws are being passed since…
It’s a curious thing how no one—at least I think—can write sensibly about the effect of hearing music psychologically and emotionally.
Think of it—we sit in a crowded concert hall, as the crashing last chords of Beethoven’s Fifth blast off into infinity (until the next time around). How to describe that elation?
Or we sit—as I once did—in a dark room in a large empty apartment and hear the slow “Amen” of one of the Monteverdi Vespers for theBlessed Virgin of 1610. I was suspended between faith and despair, and knew that somehow a question of life and going on was occurring. The tears flowed down my cheeks, I fought to stop the sound and the pain, and could not.
But who can write about it?
OK, I’m not all that well read. I should probably do some research. Tolstoy, I know, wrote a long short story based one theKreutzer Sonata—right, know the sonata, don’t know the short story. And others have tried, some of which I have read. And it always comes across flat, or forced, or sometimes just artificial.
Or worse, inflated.
And the better the music, the worse the writing tends to be….
So I should back away from making a larger fool of myself than I normally do. Because the piece that has haunted me, this last 6 weeks, has been one of the greatest of them all: Beethoven’s quartet number 15, third movement.
In German, it’s known as Heiliger Dankgesang, the words Beethoven inscribed on the manuscript. A holy hymn of thanksgiving, that would be, and Beethoven had every reason to be giving thanks—he had been severely ill, and feared that he was dying.
He recovered, and wrote perhaps the most haunting composition of his life.
It starts agonizingly slow—moving as if under water. Or perhaps floating—there’s an ethereal quality of suspension and immersion in some other dimension. And it’s modal—which means that it uses the one of the scales of Gregorian chant. And then, it breaks into a joyful, almost manic second section. Here it’s classical, ordered, as ornamented as a Versailles drawing room. “Strength regained,” writes Beethoven at this point in the manuscript, and indeed, there is all of the joy that attends recovery from a near fatal illness.
And then the slow section returns, though slightly altered.
The light breaks through again, as the second joyful section is repeated.
And then comes the final—fifth—section, again slow as the first and third had been, again very similar thematically and harmonically. But now Beethoven introduces the theme that has been hiding in the prior two slow sections. And it’s here that words fail.
Not just for me. Apparently T. S. Eliot was obsessed as well. Some think that the Heiliger Dankgesang may have been the inspiration for the Four Quartets. At any rate, he wrote to Stephen Spender, “I find it quite inexhaustible to study. There is a sort of heavenly or at least more than human gaiety about some of his later things which one imagines might come to oneself as the fruit of reconciliation and relief after immense suffering; I should like to get something of that into verse before I die.” (Thanks, Wikipedia! http://en.wikipedia.org/wiki/String_Quartet_No._15_(Beethoven)
Well, not having read the Four Quartets, I’ve no idea whether Eliot did. I can only tell you my own experience, as real as Winterreise was for me. A party had been announced on the third of May—the second anniversary of Franny’s death. Being a guest myself, I was spared the problem of who should be invited or not. It was a Morning Glory affair—put together by the people who had cared so lovingly for Franny for the two years or so when we could not.
So—back to the Acres, to the house that had seen her last days, as well as so many others. Eric kindly put off planting a garden and joined me there—the two of us, greatly more united than before, would face this together.
It takes some fortification, of course, to go into any house in which a parent has died—somehow, the Acres presented even more of a challenge. This was also the house where so many parties had been given, so many friends joyfully received and talked to, so many stories had been told. And Franny had been something of a party animal herself—unlike Jack, who liked smaller affair.
So Eric hit on the possibly questionable idea of buying the largest vat of bourbon ever to hit the market—it would easily have filled a Victorian hipbath….
Well, we were equal to that task….
And it may have been a good thing. For as always, Franny hit us, first thing on entering the house.
Silence—as prevailing and lingering as the wood smoke from the Norwegian smoke had been.
Well, silence is something we don’t do well—either in Puerto Rico or in the Newhouse family. We cast around for rescue.
Fortunately, the Zanas—as ever—proposed coming out a few days before the party and bringing us food and diversion. This was quickly agreed to.
And they brought the stories—of Jack sitting down to eat his Chinese food, closing his eyes, savoring, and saying, “hmmmmm….” The talk turned a bit metaphysical.
“You know,” said Bess, “it’s a curious thing—I always associate my mother with deer. And once, when my sister and I had been talking about her, after she died, I went to the window and told my sister ‘wouldn’t it be wild if I opened the curtain and there was a deer?’”
Don’t have to tell you, do I?
There wasn’t one deer…
Just fourteen or so. All grazing gently, moving without care or concern.
You can imagine Bess and her sister….
“Might not have worked in New York City,” I was about to say, when…
…we were jolted out of our seats by the smoke alarm. I tell you the explicable because it leads so well to the inexplicable. No one was smoking—of course!—no one was cooking. There was no fire of any kind, and no smoke in the house.
And those babies are LOUD! So I grabbed the thing from atop the beam supporting the roof—Norwegian American height does come in handy, despite banging my head on every Frank Lloyd Wright entrance I’ve visited (he made all his entrances just an inch of two above his own head, the arrogant bastard)—and took it outside, where a strong breeze was blowing.
Clearly, someone had her finger (note possessive adjective) on the “test” button. The alarm wouldn’t stop.
Not at all sure that it would work, I removed the battery. And you-know-who took her finger off the button….
A silence even greater than the night of our arrival fell.
So she was there, all right. Well, why not? It is her house.
Though about to be sold.
But it may be that she was ready, at last, to go on. When the night of the party arrived, the weather finally turned warm—it had been a week of cold, sullen, spiteful rain. But at last it was warm—warm enough for the shorts I had blithely packed. Relief!
At 1:40 in the afternoon—two years to the minute from her death, Eric and I listened by ourselves to the Beethoven.
This is called emotional preparation.
Within seconds, each one of us was weeping silently, shaking or rocking in our individual chairs. At the end—after 17 minutes of the most wrenching music Beethoven could produce—we stood and hugged.
Yes, a bear hug.
One of Eric’s specials—now gratefully received.
And then the hosts arrived, all 16 of them. Their party was to start. We two guests welcomed them at the door, and let them go to it.
Of course they brought the food—and what food it was! They brought poetry as well, and what poetry it was! And the evening grew dim—the classic Wisconsin sunset that I had known, two years ago, had been revived.
It seems that no Newhouse can NOT have the last word, the last story.
I moved to the speakers I had bought. And played the Heiliger Dankgesang. If she had spent eleven days fasting to her death, some of her dearest friends could spend 17 minutes reliving it.
And we did. The light fell—softly, gently—and at last the violist announced her noble theme. The others joined. It became unbearable, as Beethoven took the theme, expanded it, came to a climax, retreated, rethought, reworked, reconciled, and then….
…rejoiced.
“That was amazing,” said Eric, after the last guest had left. “Wonder what an outsider would have thought of this event….”
Shouldn’t I be moving on? Getting to the next project? Why return?
The people. Who
knows when I’ll see them again? If
ever?
And they’re getting together, on May 3d, to celebrate
(in both senses) Franny’s death. So shouldn’t I be there?
The place—there’s still something calling me. The wailing rock. The cracks in the floor. The quality of green and light in a
northern woods.
Or maybe it’s the stillness of a room still questioning—will
she return? Is she truly gone for
good?
Nah—think the room knows.
Maybe it’s me. For yes, the mourning seems about over. She has faded—despite my pulling her back as hard as I could
(a book being a pretty hard tug)—and I felt her slip away a night or two
ago. It was a sound—a grace note,
actually—and there she was, released into the beyond. A tiny ping into
eternity….
And I sort of want to see and talk about Iguanas…. What did they think? How did they feel about it?
Writing it was weird. No, it didn’t feel lonely—but then again, there were some 200 people
(all wearing ID badges) in my life at the time (or most of the time). But also, Franny was there, in a
certain way—if only seeing her words on a computer screen. Or her memory (and mine) on a coffee
cup.
But now is the time I feel alone. There’s nothing to do. The permissions have been submitted or
granted. Like the house, I am empty—waiting
for the next owner, the next occupant who will come, clean, rearrange…
…and settle into the orange chair next to the wood-burning
stove.
Franny
figured out, as best I could. Now, who in the hell is my father?
Easy
enough—google him. Of course, you do have to add Wisconsin to the search list,
because otherwise you get the REAL (to everybody except us) John Newhouse, also
a writer.
And
then, of course, you have to disregard LinkedIn, which will tell you about John
Newhouse, Esq. Some sort of lawyer in New York….
(Come
on, Johnny—who in the hell is an esquire in this family!)
Well,
you come to page three, or screen three, or whatever it is, and then you get to
the John Newhouse of the chase—that would be Jack. The father…
…I
don’t know.
It
appears that he left some stuff he wrote for Lee newspapers to the University
of Montana. I remembered that—Eric was out there, at the time of the donation,
and was a go-between (though I suppose if Johnny can be an esquire, Rick could
be a liaison…) So you click on that—not the stuff, but the google link—and then
you read about him.
Written
in 2010, it’s mostly accurate. Sure, they get the date of death wrong
(officially it’s May 18, 1993—I suspect it was May 17, 1993) but that’s hardly
surprising. Actually, nobody is quite sure when he was born, either. It had
been celebrated—as I recall—on the 20th of April for years. But in
his fifties, Jack discovered that his mother, years before, and gone to the
County Clerk and filed an amendment, stating he was born on the 21st. And she was dead…
Oh,
and never told him.
Well,
it’s a round-about way of knowing your father. Easier it was to call up Dave.
That’s Dave Nelson, a guy I
don’t know. But Dave was an obliging sort, and sent me a picture.
But oddly enough, it may also be Jack. Because I peered
at the photo, and thought, “geez, I bet Jack took that….”
And that started me off on a hunt through the
Wisconsin State Historical Society. Turns out there are over three hundred
images—most of which I’ve never seen.
Well, I knew that story, too. They’d been down at the
State Journal all those years when Jack worked there, and then traveled home—in
a cardboard box—when he retired. Then, when they moved to the Acres, Jack had
to get rid of ‘em—no room. So he dumped them on the State Historical Society.
(Parenthetically—although I probably can’t use that
word and enclose it in parentheses—an old lover asked me, seconds after
learning my name for the first time, if I wasn’t John Newhouse’s son. “Yes,” I
said, tired of again being John’s son, especially with a guy I had just had sex
with. But it turned out that Gary knew Jack not from the Journal, or from
meeting him, but from the collection….)
So there I was yesterday, wondering—is that Jack who
took the photo of Link? Sure looks like it.
And what about Link? What the hell was he doing out
there, shooting the damn squirrels?
Well, Dave had an answer for that.
“He was probably manic depressive,” he said. “At least
that’s what his son thinks….”
The son being Dave’s link to the…Link family….
(sorry!)
Well, that makes sense. Some of that conduct—one thinks
of the morning visits and the Hershey bars—was off the mark behaviorally. But
what a wonderful face—craggy and individual and fearless. A guy with a gun. A
man with a mission.
And looking at the photo, one sees the bird feeder in
the background. Was that old bastard luring the squirrels to their
death? Did he prefer birds to squirrels? Too damn cheap to give some bird seed
to what were (are) rodents? And we know how Link felt about them!
And am I the only one who feels—maybe—that it’s a
shame, our current view of mania? I’ve almost been there, you know, but got the
hell away before I plunged—or was plunged—into it. It’s living life on the lip
of the volcano—an image from Robertson Davies—that moment before the plunge.
And Link—was that where he was? Always a step from
madness, and sometimes over it and in it?
And Jack, observing, recording—and sending me a picture
through the decades….
…and through a stranger.
The letters from Link would arrive—“John Newhouse, a
scribe” they would be headed. The air temperature and atmospheric pressure
would be stated. “Karl Paul Link, rattor,” they would conclude.
They came for years, they stopped. Both guys are dead….